|Photo Credit: elldubphoto.com|
This past weekend, The Primary Instinct World Premiered at the Seattle International Film Festival. On the /Filmcast, we talk frequently about how much technology is changing the film industry and how much viewing is moving towards streaming and online. But despite all these market forces, I can now confidently say that nothing beats seeing your film projected on a big screen. Seeing people line up around the block to see my film, and then hearing people laugh and engage with it in a darkened theater - there's nothing else like it. I suspect it's a feeling I'll want to chase again.
One of the biggest, most emotional moments for me was actually fulfilling the final reward in our Kickstarter project: sending everyone a viewable copy of the film. Firstly, I need to say that the service we used for this, VHX, was excellent. They have amazing, responsive customer service, along with a platform that did everything I needed it to. I'd highly recommend them if you ever need to fulfill a project, and it's very likely they will be part of the mix if/when our movie ever gets sold on VOD.
While it was a pleasure to enter into this journey with all our backers, it was also a mentally taxing obligation. All these hundreds of people chose to give us money -- they deserved not just to get a film in return, but one that was of high quality and that they will be proud of.
Sending out those copies to everyone meant that my obligation was over. I had run the race. I had delivered what I promised I would. And even if the film goes nowhere from this point forward, I can hold my head up high as someone who followed through on a very ambitious project. In a world littered with crowdfunding projects that never delivered, it feels like an accomplishment. (That being said - the film won't go nowhere. We'll have more to announce soon...).
For our final update. Stephen wrote a note to all our Kickstarter backers that I think eloquently sums up how we feel at this moment. I've included it below. If you've supported me in any way during this intense journey. I hope you'll accept my gratitude.
It is hard to give credit where credit is due.
There have been too many hands that have helped me in times of need. I have tried to make a list to demonstrate how one small thing like The Primary Instinct is really the work of thousands. Literally.
Cedering Fox for encouraging me to write down my first story.
Robert Brinkmann for proposing we make a film—a wonderful collaboration resulting in Stephen Tobolowsky’s Birthday Party.
Andy Putschoegl for producing and editing it.
All of my friends that had to wear the same clothes for three days straight to be party guests.
That stupid horse, Little Red, that broke my neck and forced me to start writing more stories to save my sanity.
David Chen for inviting me to be a guest on the Slashfilm podcast at just the right moment.
David Chen for devoting uncountable hours, for no pay, to produce, edit, and promote The Tobolowsky Files.
David Chen (I’m sensing a trend) and Peter Sciretta for making a home for me at Slashfilm.com.
Jeff Hansen, the innovative Program Director at KUOW for taking the leap of faith to put The Tobolowsky Files on public radio.
Melinda Ward of PRI (Public Radio International) and the extraordinary talents of engineer Margaret Moos Pick, assisted by Mark Kausch and events coordinator Elisa Pluhar for making The Tobolowsky Files a national radio event.
HOWEVER …none of that would have happened if it weren’t for the efforts of Brandon Taitt, an unpaid volunteer who introduced Melinda to The Tobolowsky Files while working at his regular job in a computer repair store.
Ben Schwartz for making the introduction to literary agent Jud Lahgi—who said, “Yes!” – such a precious word.
Ben Loehnen, my brilliant editor at Simon & Schuster, for publishing my book of stories, The Dangerous Animals Club. David Lavin, Ken Calway and Octavia Ridout at The Lavin Agency for booking appearances.
To David Chen for harassing David Blum at Amazon Kindle into publishing “Cautionary Tales.” And Mark Crilley, a podcast fan, for doing the artwork.
There were many people on the radio who have promoted The Tobolowsky Files. Before anyone there was Nick Digilio at WGN. Nick has been there from before the beginning in support. He was the first person I sent a copy of The Dangerous Animals Club. I wanted his opinion. So many in the media have helped me. Marc Maron (WTF), Tom Rhodes, Liam McEneaney (scariest bathroom in a recording studio ever!), Alan Sepinwall (Hitfix) , Luke Burbank (Live Wire!), Jesse Thorn (Bullseye), Tyler Smith and Dave Bax (Battleship Pretension), Dave Davies of NPR’s Fresh Air, Scott Simon (Weekend Edition)…
Pause to take a breath. So much help.
Whitney Matheson at USA Today, Jim Philips of the Philips Phile in Orlando, Bob Strum and Dan McDowell at The Ticket in Dallas, Nadia Chaudhury for The Awl, Richard Sergay at Curiosity Project with Discovery Communications, Michael DeSenzo, Jennifer Wilk, Jenna Dooley of WNIJ Public Radio, Vanessa Finney, Colleen Horning at KTXD-TV, Brandon Isaacson, Mark McKeown, Wolfie Rankin, Elizabeth Shepherd, Anne-Marie Welsh, Jay Wulff, Philip Wuntch, Adam Yoffe, Joshua Youngerman, and John Swansburg from Slate.
David Farrier, journalist, comedian, bird watcher extraordinaire, who opened his country, New Zealand to us and his home as well.
Denis McArdle who did the same for us in Dublin (I didn’t live in his home, but I DID eat his sister’s food!) We haven’t even touched on the producers and theater owners that extended themselves for my stories.
Adam Zacks (Seattle Theatre Group / the Moore and the Neptune) and his wife Lynn Resnick at BFI Seattle, Michael Hawley (The EG Conference), David Hunt Stafford (Theatre 40), Nick Hinkle at the Brattle Theater in Cambridge, Robert Newton at his theaters in Worcester and Gloucester Mass., Rebecca Graves, Lauri Hennessey, Susan Hanson, Kim Cunningham, Hedy Anderson and Vashon High School Theatre Program, David Caplan (Bell House, 92Y Tribecca ) Robyn Tenenbaum (Live Wire!), Kyle Mann and Dan Forte (Kentucky Center in Louisville), Lietza Brass (Paramount Theatre in Austin), David Wolkin and Matthew Grob (Limmud NY), Cole Stratton (San Francisco Sketchfest), Clinton McClung at SIFF, Randi Caldwell and Randy Lubas (Ventura Comedy Festival), Ann Alexander and Carrie Rodgers at USA Film Festival in Dallas and Katie Hutton at Dallas Museum of Art.
Amy Carver with Friends of the SMU Libraries. Jennifer Hall at Aegis Living. The Classic Theatre in Auckland New Zealand, Vicki Abelson’s Women Who Write, Wendy Hammers’ Tasty Words, Paul Morrissey of Alley Oop, Kimmie Dee, Brett and Lester Levy, Jr.
My friends at PIXAR: Galyn, Angus, and, of course, Dr. Wave for inviting me out to tell stories from The Dangerous Animals Club.
Super Frog Saves Tokyo - now cut.com - (Mike Gaston, Blaine Ludy, Jason Hakala, Joanny Causse) for going into the venture as partners with David and me.
Gary Matoso and his team from Vignette, and Joel Clare and his team for helping us with our Moore Theatre shoot. In the end, it all comes down to individuals.
Richard Kagan who bought a LOT of books for Christmas. I mean a LOT.
Matt and Maria Swanson for being our angels on The Primary Instinct, and funding a whopping 25% of our budget.
I know. It’s overwhelming. It’s like the beginning of the Book of Numbers. Every name here, including yours, represents time spent and risk taken. Your time and risk are honored. David Chen and I will endeavor to return the favor with enjoyment. Thank you all.
- Stephen Tobolowsky and David Chen